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 Pinta Miami is an art fair that distinguishes itself by specializing in the contemporary art of Latin America. The 2024 edition – its 18th since inaugurating in New York and 11th since relocating to South Florida – was located in the Coconut Grove neighborhood of Miami and exhibited a tight selection of 39 galleries. These galleries were organized into three distinct sections: The Main Section, consisting of an international selection of galleries, which also incorporated Ibero-American representation via galleries from Spain and Portugal; The Radar Section, with each of 4 galleries presenting either a solo or two-artist exhibit; and The Next Section, which highlighted the proposals of 8 emerging South American Galleries. Accompanying was also a Special Project section that brought together a group of paintings by Indigenous artists from the Shipibo-konibo community, located in the Ucayali region of the Peruvian Amazon. 

 FORO, a forum component further contributed programming all throughout the weekend. The FORO brought more than 15 artists, curators, researchers, collectors, and cultural institutions into dialogues that addressed diverse topics, such as the challenges of managing initiatives and of developing contemporary art projects in Latin America. There were presentations of recent publications on the current dynamics of art collecting, discussion panels on new models of collaboration and management for art institutions, as well as film screenings, audiovisual works, and more.  

The fair also hosted a series of celebratory events, including private gatherings and exclusive occasions. A standout moment was the special breakfast held in honor of the legendary gallerist Bernice Steinbaum. This event brought together an inspiring group of artists, gallerists, and women professionals in the arts, celebrating Steinbaum’s remarkable career and her invaluable contributions to nurturing artistic talent and vision.Of this year’s offerings, Pinta global curator Irene Gelfman had this to say: “This edition of Pinta Miami was characterized by a generous layout and a meticulous selection of galleries, artists, and their artwork. On display was a great diversity and quality of Latino and Latinx artists, a meeting point for the north and south of our continent.” 

A sense of camaraderie amongst the gallerists gave way to a familiar feeling of community that often characterizes Latin American cultures. This was especially evident in The Next Section. Guided by the curation of Giuliana Vidarte, this section sorted 8 emerging galleries into 4 shared booths, generating collaboration across gallerists for a joint proposal. Bernardo Montoya from Salon Comunal, co-winner of the Next Award along with Hans Peterson from Departamento 112, said, “This opportunity that Pinta provides us to exchange knowledge, programs, and philosophies between two galleries from different countries is wonderful. It’s been a few months of learning with Hans, of validating why we are, as artists, managing these art circulation sites as well as emphasizing the importance and relevance of the art fair as a place to forge new and existing relationships”. The Spanish galleries participating in Pinta were just as excited about the opportunity. “Within the diversity of fairs that converge during Miami Art Week, Pinta stands out as a boutique-style platform for high-quality Ibero-American art collecting.” said Luis Valverde Espejo, gallerist of Espacio Mínimo.  

“Pinta offers context for understanding art in Latin America today by presenting classics and contemporary painting and sculpture from the region. Nobody does it better,” said fairgoer Alberto Ibargüen, when asked for a comment on his experience at Pinta. One booth that illustrated this quote was that of Bogotá based gallery El Museo; it juxtaposed the doughy figurations of Fernando Botero paintings with charcoal works by another Colombian, but this one working today, in Gonzalo Fuenmayor.  

One thing for sure, Pinta Miami was a success and will be back for its 19th edition during Miami Art Week 2025. 

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About Pinta Miami 

Pinta Miami is the only fair dedicated exclusively to Ibero-Latin American art during Miami Art Week. Since its founding in New York in 2007, Pinta has reinforced its commitment to showcasing artistic plurality through curated sections and a dynamic, contemporary interdisciplinary program. 

In its third consecutive edition at The Hangar in Coconut Grove, this major international event offers a unique environment that intertwines the artistic experience with sophistication and a natural setting, becoming a meeting point for artists, curators, gallerists, collectors, and art enthusiasts. 

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Continuum has formed an exclusive residential partnership with South Florida’s acclaimed Eternity Gallery to showcase the gallery’s most coveted artists.  Beginning in December this year and running until the end of April 2025, a signature exhibit by some of today’s world-renowned contemporary artists will be shown within the common areas of both Continuum towers and select outdoor locations throughout the property. Eleven artists represented by Eternity Gallery in Miami have been chosen for their prominence within the contemporary art industry for a series of works that exhibit themes and characters from today’s pop culture, together with abstract sculptures and designs using mixed media and fine metals that exemplify excellence in craftsmanship. 

“We are delighted to showcase our unique partnership with one of today’s most esteemed galleries,” says Rishi Idnani, Managing Director at the Continuum.  “This is the fifth year we are showcasing the very best the fine art world has to offer within the property, as part of our cultural programming for residents. Eternity Gallery has brought a world class collection of works by a diverse and eclectic group of artistic talent. We pride ourselves on supporting local galleries and representing excellence from the art world, and this inaugural collaboration with Eternity Gallery will enhance the aesthetic experience at the Continuum for our homeowners throughout the winter season.” 

The eleven chosen artists featured in the exhibit by Eternity Gallery at the Continuum include: Jonathan Seliger, Valay Shende, Hong-yi Zhuang, Katrin Fridriks, Ellen Von Unwerth, Michael Moebius, Min-Jun Yue, Gil Bruvel, Joe Black, Ignacio Gana and William Barbosa.  

 The seven featured indoor and outdoor sculptures by William Barbosa fall in the modern historic tradition of Abstract- Geometric and Kinetic aesthetic. His personal and original creative style is related to other avant-garde movements of similar expressive characteristics, such as Concrete Art, Expansionism and MADI International. 

The means used by Barbosa in creating his sculptures are metal, color and special tools. Metallic plates of various sizes and thickness, which may be of iron, stainless steel and more recently aluminum, are cut or bent into geometric folds that will be subsequently welded to achieve the visual shape that the artist’s creativity seeks to attain. The sculpture is then prepared, and the colors selected to start the polychrome process. Painting the sculptures to achieve an impeccable finish that will allow them to be placed outdoors requires a special technique. 

Pop artist and photographer Michael Moebius came into the world in 1968, in the city of Pirna, Germany. Having developed a love for art at an early age, cartooning became his first passion. While a formal education was pursued, Michael chose a career in engineering and construction, then decided that figurative art would be his life’s work. He started studying painting at the academy of arts in Dresden, and in 1998 he got a big breakthrough. It was at this time, after the fall of the Berlin Wall, that Michael was able to make his way to the United States. His talent as a painter and photographer was readily apparent, and he quickly became a sought-after favorite of collectors. Michael has already been part of major exhibitions throughout the US. His collector base and publishers include Playboy, Procter & Gamble, Laura Biagiotti, Vogue, Vanity Fair, Robb Report and other well-known companies. 

Mixed media artist Gil Bruvel is a visionary creator, capable of translating complex ideas and fleeting impressions into stunning works of art. His curiosity about the human condition and the workings of the human mind is honed through daily meditative practice. His art emerges from a deep contemplation of images, emotions, and sensations, which he refines continually before he casts them into material form.  While elements of surrealism have been present in his works throughout his career, Bruvel’s later efforts play with the distortion of realities, duality, and multiple perspectives. In his Cubist series, he reduces human form to component planes and geometric shapes, using negative space to create positive form, and vice versa. He seeks to reinforce the notion of fluidity by expressing multiple viewpoints simultaneously. 

“We were fortunate to have the presence of William Barbosa for a meet-and-greet with the residents at the property during Miami Art Week,” says Jacqueline Gonzalez, Lifestyle Director at the Continuum.  “He gave everyone a fascinating presentation on how he transforms metal in to his beautiful sculptures that have formed architectural centerpieces throughout our grounds and common areas.”   

The private exhibit presented in partnership with Eternity Gallery is shown at the Continuum in Miami Beach from December 2024 through April 2025.  

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About Continuum 

Continuum is South Florida’s premier resort-style oceanfront condominium residence, located on the southernmost tip of Miami Beach. Consisting of 535 apartments, and developed by The Continuum Company, LLC, the property includes two towers – the South Tower, which opened in 2000, comprising 42 floors, and the North Tower, which opened in 2007, comprising 37 floors. With 26 different residential condominium floor plans and 5 different townhouse floor plans offered, amenities at Continuum include two lagoon pools, a private patio restaurant, a sporting club and spa with a state-of-the-art gym, and lap pool, Tennis Pavilion with 3 clay courts, an indoor parking garage with 24-hour gated security, multiple meeting rooms and a full-time concierge. Continuum provides direct access to the beach and is situated on 12 acres of perfectly manicured oceanfront property, with unobstructed views of the Atlantic Ocean to the east. Continuum represents the largest parcel of beachfront property available in the South of Fifth neighborhood of Miami Beach. For further information, visit www.ContinuumSB.com.  

About Eternity Gallery 

Founded in 2016, Eternity Gallery is an international art gallery, specializing in Contemporary Art. Its prime location in Aventura Mall features many exceptional artworks by great masters and up-and-coming talents. All are promoted through curated exhibitions and prominent art fairs. Eternity Gallery is proud to officially represent key Contemporary artists from across the globe such as George Morton-Clark, Joe Black, ZuZi, David José, Adam Handler, and Ryol. Eternity Gallery also showcases some of the most acclaimed artists, including Pop artists Andy Warhol, Robert Indiana, Keith Haring, and Jean-Michel Basquiat; and contemporary artists such as Manolo Valdés, Robert Combas, Arman, Jeff Koons, KAWS, Banksy and Damien Hirst. The gallery also features the extraordinary works of sought-after Asian artists Zao Wou-Ki, Takashi Murakami, and Yue Minjun. Visit www.eternitygallery.com.   

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A curated group of gentlemen art professionals

Spectrum Miami, now celebrating its 14th year, is where contemporary art meets the extraordinary. Featuring works by over 250 exhibiting galleries and artists, the fair is located adjacent to its sister event, Red Dot Miami, creating a dynamic duo in the heart of Miami’s art scene. Spectrum Miami highlights the vibrant local and global art landscape through special programs and site-specific exhibitions, with participants spanning the Florida region, the U.S., and beyond.

This five-day fair offers an electric atmosphere of discovery and engagement, enhanced by its signature Spotlight Program. This year, the Spotlight honors a curated group of distinguished gentlemen art professionals, celebrating their passion for art and their innovative contributions to the field.

Gerard Frank – Booth 1000
Fort Walton Beach, Florida
https://gerardfrank.art

Gerard Frank is a prominent contemporary artist known for his remarkable blend of realism and impressionism. Frank uses mediums such as oil, acrylics, and mixed media to portray the spirit of metropolitan environments and the subtle nuances of human interaction. His celebrated pieces, such as Directional Glance and Contemporary Times, demonstrate his outstanding ability to depict the interplay of light and shadow, resulting in compelling and immersive situations.

Nikolai Petrov, Art Petrovik – Booth 804
Ontario, Canada
www.artpetrovnik.com

Nikolai Petrov’s wood sculpture exemplifies the artist’s mastery in transforming raw timber into evocative forms. Each piece reflects a harmonious balance between intricate detail and bold, sweeping lines, capturing both the essence of natural elements and the complexity of human emotion. Petrov employs traditional carving techniques, enhanced by a contemporary aesthetic, to create sculptures that resonate with viewers on multiple levels. The use of natural oils highlights the wood’s inherent beauty, allowing light and shadow to play across the surface, adding depth and movement. This artwork not only showcases Petrov’s technical skill but also invites contemplation and connection with the organic world.

Mauricio Malagutti – Booth 1016
Orlando, Florida
www.malagutticreations.com

Malagutti, born in São Paulo, Brazil, is a visual artist renowned for his dynamic three-dimensional artworks. His creations often feature mixed media on wood panels and canvases, incorporating materials such as resin, clay, and wood. Malagutti’s pieces are characterized by vibrant colors, intricate textures, and fluid forms, reflecting his deep understanding of shapes and volumes.

Erick Mota – Booth 1107
Freehold, New Jersey
www.erickmotaart.com

Having a great philosophical and introspective awareness of the human experience, Erick Mota is a visionary artist whose approach to the canvas is propelled by his comprehension of the human experience. With each stroke of the brush, he invites viewers to embark on a trip through the various elements of humanity, diving into the unbridled power of emotions and the influence that culture has on the formation of our characters. Through his art, Mota explores the complexities of the world around him, transcending the bounds of visual expression to produce pieces that serve as powerful testaments to his unrelenting pursuit for knowledge and self-discovery as seen in his piece Alicia.

Russell Scott, Modest Art 88 – Booth 1307
Los Angeles, California
www.modestart88.com

Russell Scott is an innovative artist whose work showcases a unique blend of exploration, style and vibrant colors. His pieces often explore a theme of abstract rhythmic visual experiences that evokes emotions. Utilizing mediums such as acrylic and oil paint. Scott creates compelling visuals like his Super Powers piece that engage and inspire viewers. His dedication to craftsmanship and innovation has earned him recognition in galleries in the US and abroad, making his artwork a distinctive presence in the contemporary art scene.

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Shining the light on women art professionals

Red Dot Miami, a premier gallery-only contemporary art fair now in its 19th year, will once again be held alongside Spectrum Miami, forming a centerpiece of the highly anticipated annual presentation of top galleries and artists from across the U.S. and the globe. Red Dot Miami highlights the very best of the contemporary art world through special exhibits and engaging programming, showcasing exhibitors, art industry leaders, and select nonprofits and institutions.

The five-day fair offers a dynamic atmosphere of discovery and interaction, including its signature Spotlight Program, a curated focus on cutting-edge galleries selected by the Redwood Art Group curatorial committee, ensuring a unique and inspiring experience for all attendees.

For Red Dot Miami 2024, the spotlight is shining on five women art industry professionals, each with a passion for art and the artists their gallery represents.

Stanek Gallery – Booth 312 
Miami, FL
Owner is Katherine Stanek
https://www.stanekgallery.com/

Stanek Gallery is a woman-owned, all-women-run gallery with locations in Miami, Florida and Philadelphia, Pennsylvania, where 50% of represented artists are also women. Stanek Galley focuses on showcasing contemporary fine art with a dynamic range of established and emerging artists. Katherine emphasizes creating an inclusive space for both seasoned collectors and new art enthusiasts. Stanek Gallery invites collectors and enthusiasts alike to explore pieces that challenge, inspire, and captivate, featuring the works of museum collected artists Moe Brooker and James Brantley.

Galerie Helligkeit – Booth 202
Rosenheim, Germany
Owner is Luciana Mestieri Seidl
https://galeriehelligkeit.de

Helligkeit in German means “brightness” symbolizing the gallery’s focus on illuminating light. Galerie Helligkeit is composed of artists from many countries, present in various art markets, showcasing their diversity everywhere. Luciana’s focus is on emphasizing modern and contemporary works with a clean, bright aesthetic and thought-provoking themes, including the artwork of Barbara De Angelo and Gabriel Veiz. Galerie Helligkeit’s artwork has the marks of being very collectible in 2025.

Gato Gordo Gallery – Booth 310
Miami, FL
Owner is Inna Malostovher
www.gatogordogallery.art

Gato Gordo Gallery focuses on Latin American art, including vivid modern works. Inna Malostovhe’s gallery is well-known for its colorful, vibrant works that combine traditional and modern aesthetics. Gato Gordo Gallery houses a diverse collection of paintings, sculptures, and multimedia works from Miami and Latin America. Despite being Russian by birth, Inna is committed to displaying culturally diverse and emotive items that reflect Miami’s Latin American heritage, including the artworks of Inna M. and sculptor Oscar Martinez.

Hagan Fine Art – Booth 504
Charleston, SC
Owner is Wendy Carlin
www.haganfineart.com

Hagan Fine Art, led by Wendy Carlin, is a prominent Charleston-based gallery celebrated for its captivating curation of American and international artwork. With its Charleston setting, the gallery brings the spirit of Southern charm and global artistry to the forefront. Hagan Fine Art has a wide-ranging collection that includes impressionist and abstract works, including artwork by painter Jaquan Hicks and sculptor Scott Penegar. Hagan Fine Art appeals to both seasoned collectors and new art enthusiasts. The gallery’s selection embodies a deep commitment to artistry, quality, and connection, making it a distinguished stop for those seeking vibrant, meaningful art experiences.

RAG Contemporary – Booth 406
San Francisco, CA
Owner is Alyssa Danielle
http://www.ragcontemporary.com

RAG Contemporary specializes in emerging artists’ contemporary fine art. Alyssa curates pieces with a fresh perspective on modern fine art, works that challenge and engage with current cultural conversations. Focusing on new, innovative pieces, including mixed media, abstract art, and figurative works, the gallery has featured works by Gretchen Röehrs and RS Biggs. RAG Contemporary is very active in supporting emerging artists with workshops, artist talks, and community-driven exhibits.

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Originally from Chihuahua, Mexico and currently based in Mexico City, Urias is a distinguished visual artist and illustrator with an impressive portfolio that includes collaborations with global brands like Apple, Nike, Google, and Adidas. Renowned for his vibrant color palette and comic book-inspired visuals, his artistic style seamlessly blends elements of Art Nouveau with classical design principles.

This showcase includes two powerful collections from the artist: Arida and Mística Monumental. The first one represents the poetic journey through the lens of Urias’ home in Chihuahua, Mexico. From the land’s traditions to its cultural heritage, each piece connects Urias’ roots with his identity while shedding light on the beauty, resilience, and diversity of the northern Mexican landscape. The next collection, Mística Monumental, can be described as more of an ethereal body of work. Meant to tap into the inner child, these pieces celebrate the simple act of existing, honing in on the belief that we are the center of our own universe. Its intention is to invite viewers to drop the mask, break the ego, and fill the soul.

Centered in the heart of Portland, at 415 SW 10th Avenue, the Infinite Human exhibition will remain open until Wednesday, May 29th. Raul Urias will take guests on a unique and immersive experience that tells the story of humanity’s existence. INDUSTRY One warmly welcomes all art enthusiasts, local community, and supporters of diverse creativity.

Since its inception in November 2022, INDUSTRY One has embraced a noble mission—to explore and celebrate diversity and sexuality while giving back to the community and the exceptional artists it showcases. The gallery debuted with a captivating display by the New York-based Black chefs’ collective, Ghetto Gastro. Subsequent exhibitions have featured indigenous Mexican artist Josué Rivas, the dynamic Los Angeles creative studio Object & Animal, and the powerful collaborative showcase between Southern California multimedia artist and graphic designer Madsteez (also known as Mark Paul Deren) and the talented It’s a Living (known as Mexican artist Ricardo Gonzalez), titled Sentimientos/Sentiments.

The doors of the exhibition are open to all, welcoming visitors to contribute and support in their own unique ways. Whether through donations or advocacy, INDUSTRY One invites everyone to partake in this transformative experience. If you find yourself in the Portland area, make sure to stop by and be part of this remarkable celebration of art, culture, and the beauty of the human spirit.

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Author Bio: 

INDUSTRY One is a first-of-its-kind commission-free gallery designed to highlight artists who don’t fit neatly into the traditional art gallery box. The goal is to explore diversity, and sexuality and give back to the community—as well as the artists whose work is featured.

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WHAT IS THIS PLACE? 

The Glass Outhouse Art Gallery is a nonprofit organization created by Laurel Siedl. The gallery opened its doors in September 2009. Laurel refurbished a building where she raised rabbits into an art gallery. The place is now transformed into spaces that feature artists from all over the country. Laurel’s passion for art is palpable in every corner of this unconventional space. Meeting her is akin to stepping into the mind behind the madness, an experience that leaves a lasting impression on all who visit.

The Glass Outhouse Art Gallery stands out not only for its unique setting in the desert but also for its commitment to showcasing emerging artists and promoting the culture of art collecting. Collecting art has long been a passion for many individuals, ranging from seasoned collectors seeking to expand their portfolios to novices eager to start their art collections. The gallery provides a welcoming environment for both seasoned collectors and new enthusiasts, offering a diverse selection of artworks that cater to varying tastes and preferences. Art collecting is not just about acquiring pieces; it is a deeply personal and enriching experience that allows individuals to connect with the stories behind each artwork, the emotions they evoke, and the artists who created them. The Glass Outhouse Art Gallery recognizes the significance of this connection and aims to foster a sense of community among art collectors, artists, and visitors alike. It is located at 77575 Highway 62 Twentynine Palms, CA 92277.

THE GALLERY/TRAILERS

The gallery itself is a mix of trailers and structures housing two galleries and eight rooms brimming with collections of artwork. From sculptures and assemblages that seem to emerge from the earth to original oil paintings and crafted works, GOA showcases a medley of artistic expressions that push boundaries and spark intrigue. If you are visiting the desert during the hot months, this is a good place to enjoy the indoor, air-conditioned trailer galleries. If you are unsure if you have arrived, look out for glimpses of the tall Pepsi Can from the highway before you turn off the main road.

The artwork is both whimsical and professional and is on full display in each gallery. The eclectic energy of the gallery creates a vibrant atmosphere where creativity thrives and boundaries blur. When I visited GOA I was lucky enough to view the work of Suzanne Ross.  Her pieces beckon viewers with their symbolic allure. Like a moth drawn to the flame, you will also be drawn into each room of the GOA gallery while you meander the rock-enclosed trails around each structure. In addition to the visual feast of artworks, visitors to GOA can also enjoy live performances by local bands on some occasions, adding a dynamic layer of entertainment to their artistic exploration.

BEYOND THE WALLS OF THE GALLERY

The surrounding 29 Palms desert landscape provides a serene backdrop for contemplation and inspiration. The vast expanse of the desert, with its rugged terrain and stark beauty, has long been a source of fascination for artists seeking to capture its essence in their works. The Glass Outhouse Art Gallery serves as a bridge between the natural landscape and the world of art, merging the two in a harmonious union that enriches the creative experience for artists and visitors alike. As visitors explore the gallery and immerse themselves in the diverse artworks on display, they are invited to embark on a journey of discovery and appreciation for the beauty and complexity of the artistic world.

UPCOMING EXHIBIT AT GOA

Looking ahead, Sherri Scott Studios will exhibit at GOA with TheDANCE collection in March, offering a glimpse into the artist’s unique vision. TheDANCE_boulders, mountains, and trails is a vibrant piece that captures the essence of the desert landscape in a symphony of colors and shapes. Each element in the painting, from the resolute boulders to the majestic mountains and meandering trails, invites viewers on a visual journey filled with vitality, grandeur, and rhythm. The artwork celebrates life’s diverse dances and serves as a testament to the enchanting spirit of GOA Gallery.

For art collectors seeking to venture off the beaten path and discover a world where creativity knows no bounds, Glass Outhouse Art Gallery is a destination like no other. Immerse yourself in the magic of GOA and experience the thrill of uncovering hidden treasures in the desert’s artistic wonderland. Look up, look down, and wherever you step, you may see some artwork. Take some photos and share your crazy finds! The desert landscape and community never disappoint when you are looking for adventures!

NOW THAT YOU ARE OUT IN 29 PALMS, PUT THESE STOPS ON YOUR LIST

Lunch: Founded in 2015 by chef Everton Gordon, Kitchen in the Desert is a Caribbean and New American restaurant and bar in Twentynine Palms, CA. Locally owned and run, KITD serves up the best family-style dishes in a tropical desert oasis setting. Combining organic ingredients with heritage spice recipes, KITD has become the premier spot for elevated dining in 29 Palms.

Visit the Historic 29 Palms Gallery: This gallery opened in 1963 in a historic adobe built in 1936 by the Stubbs brothers for western author Tom J. Hopkins. Twentynine Palms Artists’ Guild is an all-volunteer, 501(c)(3) non-profit organization that owns and operates the 29 Palms Art Gallery. Don’t forget to visit the gift shop as well for unique artistic finds! If you are traveling, there are easy-to-carry prints available to purchase in the Gallery and Gift Shop as well.

For more outdoor installations, visit Desert X locations: Desert X is produced by The Desert Biennial, a not-for-profit 501(c)(3) charitable organization founded in California, conceived to produce recurring international contemporary art exhibitions that activate desert locations through site-specific installations. Its purpose is to present public exhibitions of art that respond meaningfully to the conditions of desert locations, the environment, and indigenous communities; promoting cultural exchange and education programs that foster dialogue and understanding among cultures and communities about shared artistic, historical, and societal issues; and provide an accessible platform for artists from around the world to address ecological, cultural, spiritual, and other existential themes.

End your day with drinks and music poolside at the famous 29 Palms Inn: The Inn is a popular destination for creatives, writers, artists, and amateur/professional photographers, so bring your camera.  I also recommend staying at this unique property in one of their casitas or at one of their retreat events. Make sure you also visit the boathouse on the pond.

Enjoy Sherri Scott Studios: After immersing herself in the action sports design world for several years, Sherri Scott is now embarking on an exciting artistic adventure.  Driven by a deep passion for the arts, she enjoys experimenting with traditional and contemporary media in her paintings.  Inspired by her exploration of the outdoors, she finds inspiration in the picturesque landscapes and the captivating elements of land and sea.  A versatile artist and designer, with a strong background in designing for brands including her successful apparel line, she brings a unique perspective to her designs.  Her technical design skills and creative vision blend seamlessly to create her work.  Today her deep appreciation shines through in her artwork, she continues to push boundaries and explore new artistic horizons.

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About the author:

Sherri Smith spends time painting between two cities: Solana Beach www.sherriscottstudios.com and Yucca Valley www.yuccavalleylandings.com in her studio in a hangar at the Yucca Valley Airport. The influence of these locations inspires her artwork in land + sea + desert + horizons. Exhibitions: Joshua Tree National Park Association, 29 Palms Gallery, Laguna Art Gallery, Santa Barbara CAW, Las Lagunas, Off The Track and OMA [Oceanside Museum of Art]. 

Upcoming project in 2024: Yucca Valley public art project and exhibitions at the new Hi-Desert Artist gallery. Please visit her websites to view artwork at www.sherriscottstudios.com and www.yuccavalleylandings.com. Social: @sherriscottstudios, @yuccavalleylandings

Learn More: https://www.facebook.com/pages/The-Glass-Outhouse-Art-Gallery/317055216531, https://29palmsinn.com/about/, https://www.kitd29.com/, https://desertx.org/about/about, and https://visit29.org/

All images courtesy of Sherri Smith.

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RULE #1 DEVELOP A CONSISTENT STYLE

Some buyers of your work may relish your line drawing skills, your choice of colors, or your composition. Once you receive plaudits for your work, choose one direction and move in that direction and make it your style. My style by the way is to paint a detailed background and sometimes blur it out so nothing in the background distracts from the main subject.

RULE #2 AIM FOR A NICHE

When I started my art career, I did some portraits of famous people like race driver Carroll Shelby, then segued to the cars he built. I also tried a nature scene — a dock at Malibu Beach — but decided there were too many artists painting beach portraits. And then I realized there were only a few making car portraits. The whole idea here is to pick a niche, paint a few, then go to an event and see if you can sell your prints.

RULE #3 ADOPT A LOOK FOR YOURSELF  

Almost a separate subject but this can also be important to establishing your brand. I once ran into an author doing a book signing at a bookstore in Hollywood. He was a young man in his 30s and looked splendid in a white suit with a white bowler hat. It was Thomas Wolfe and he wore white suits for decades and fans came to expect it as his look — “the man in white.”

A similar white suit has become my standard attire when I go to car events. I am not quite as famous as Wolfe but it has created an image.  When I go to car events I am often eagerly welcomed because with such sartorial elegance they assume “whoever he is, he must be important.” I considered the cowboy look but “the man in white” image fits with the classic cars I portray at classic car events like the Concours d’Elegance at Pebble Beach.

WHAT’S NEXT?

Once you have a niche, work that niche for all It’s worth. If I were pursuing equine art, I would donate prints to libraries on the horse scene, and look for which organizations need art. I would write articles for their newspapers, magazines, and websites, offering my art as illustrations.

Don’t worry about the niche imprisoning you. You can always diversify with other niches, creating collections. Perhaps it’s sailboats — find a local yacht club who will let you roam their venue, donate some prints to their next banquet or event and soon you’ll be sailing.

Automotive art has been my focus ever since I calculated the profit. When I found clients who didn’t blink at the price for a 20” x 30” canvas print (which was very cost effective for me), I decided I was comfortable. Of course, there are lots of potential collectors in other high end lifestyle genres to pursue. Who knows, you might find me one day painting horses for thoroughbred racing enthusiasts.

Once you’ve chosen your niche, look for websites and magazines devoted to that niche. If I were just beginning, I would try multiple directions initially — a trout fisherman one time and a horse racing the next. See what gets the most attention and sales and build your collector and fan base in that direction. Know also that people that love your work will be excited to see an occasional foray into other subjects.

In summary, look for environments you enjoy. Are there events that bring people together? Do those events look welcoming for an artist who wants to depict them? Check it out, then go for it!

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About the author:

Wallace Wyss is letting it be known that he’s open to submit work on consignment to galleries for those interested in an adventure into automotive art. He can be reached at malibucarart@gmail.com

All images courtesy of artist Wallace Wyss.

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The installation will occupy a never-before-seen space of the museum and place viewers inside a larger-than-life fishtrap passageway among a fantastical undersea experience celebrating the power and beauty of one of the lynchpins of Florida’s aquatic ecosystem, the lowly mullet. Taking the form of an 8-foot tall zoetrope, an early form of animation technology, it features a repeating fish sequence that allows guests to get a fish-eye view of a bait ball—a phenomenon in which small fish swarm together forming a spherical shape—and transported to a new, underwater reality. Brady’s multimedia masterpiece blends 3D printing, light and motion, soundscapes and more to give the illusion of fish swimming alongside guests.

Fairgrounds St. Pete is no stranger to local art, boasting the work of more than 70 artists, most of them local, in its 15,000 square-foot space. “The Bait Ball,” though new to the iconic destination, has been showcased once before in Tampa Bay at Gasparilla Arts Festival in 2022. Now, the artwork has found a permanent home in one of the region’s most unique experiences.

“The introduction of ‘The Bait Ball’ to Fairgrounds St. Pete aligns with not only our uniquely Florida narrative, but our commitment to championing local artists and giving them a platform to share their work —especially installations as extraordinary as this,” said Liz Dimmitt, CEO and Co-Founder of Fairgrounds St. Pete. “Our team is beyond fortunate to have collaborated with Devon to give this work what we feel is its perfect home, and we can’t wait for our community and visitors to become as inspired by this experience as we are.”

The museum’s team takes a hands-on approach to collaborating with artists to incorporate cutting-edge, immersive technology that inspires and offers new ways to experience the arts, making it the natural place for “The Bait Ball” to land.

“This project presented me—and hopefully fellow creatives—with an opportunity to push the boundaries of STEAM by bringing in a mathematical practice,” said artist Devon Brady. “I could not be more thrilled to have ‘The Bait Ball’ take on its own exhibit in Fairgrounds St. Pete, giving the work a chance to reach its full potential and captivate guests in a whole new way.”

Since Fairgrounds St. Pete opened in 2021, the museum has experienced continuous growth, having added numerous installations including the “Electric Sky Lounge” and its latest showstopper, “Shrimpfinity by Milagros Collective,” with more on the horizon. The team plans to continue enhancing the space through immersive add-ons, seasonal activations and more while maintaining the exhibits that visitors know and love.

When Devon Brady isn’t running calls, the Florida fire captain can be found decompressing by tinkering with the latest projects in his art studio. The musician, sculptor—and yes, firefighter—finds creating art as rewarding as providing lifesaving care to those in need.

Now, Devon and the museum hope to introduce other heroes to the power of creativity as an outlet for boosting mental health, reducing stress, and inspiring joy. “The Bait Ball” is a permanent installation at Fairgrounds St. Pete, and guests do not need to purchase an additional ticket to experience the new exhibit.

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About Fairgrounds St. Pete

Fairgrounds St. Pete is an art and technology museum created in collaboration with more than 70 artists, each with their own unique style and compelling stories. Designed for all ages and interests, the destination invites everyone to explore the intersection of creativity, technology, and culture in a captivating immersive world of playful exhibits celebrating original Florida stories. Visitors can gamify their experience by searching for clues to mysterious narratives, go on immersive scavenger hunts, or simply enjoy the exciting vistas of an artist made universe. This woman and veteran-owned local startup debuted in 2021 and continues to dream big and strives to change the world through creative shared experiences. Located at 2606 Fairfield Ave S. in the heart of St. Pete’s Warehouse Arts district, the museum is a ticketed, choose-your-own-experience attraction. For more information or to purchase tickets and merchandise, please visit www.fairgrounds.art and connect with us on Instagram, Facebook or TikTok.

Through May 31, 2024, all firefighters and EMTs can receive BOGO general admission using promo code FFBOGO24 when booking online or with valid ID at the ticketing desk. General admission tickets are available for purchase here.

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About Devon Brady

Devon Brady is a Tampa native and graduate of the University of South Florida’s School of Art and Art History. Beginning his creative life as a drummer in Tampa’s 1980s punk scene, Devon is a skilled sculptor, designer, and fabricator, having built everything from houses to race cars and most things in between. In 2003, Devon became a Florida state-certified firefighter and paramedic. He is now a Company Fire Captain with Hillsborough County Fire Rescue where he has been for the last twenty years. As a founding member of Experimental Skeleton, LiveWork Studios and Crab Devil, Devon has remained engaged in creative production for most of his working life. Devon’s design work can be seen in restaurants, bars and breweries throughout the Tampa Bay area, and his permanent sculptural installations can be seen at The Music Box Village in New Orleans in addition to Fairgrounds St. Pete. Having worn the various hats of artist, musician, paramedic and firefighter, Devon is now focusing more on his own creative endeavors – producing a written chronicle of his fire service career while continuing to work on large-scale sculptural environments and functional design work. For more information on Devon Brady, please visit his website: https://www.devonbrady.com/

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In its best form, AR empowers us to see the art in everything.

The Curation of Curiosity

I grew up in a family that placed a significant emphasis on the appreciation of arts and culture. Almost every family vacation included an exploration of the creative community local to each destination. My childhood cultivated a curiosity in creativity.

This enduring sense of wonder extended to almost everything during my time studying sociology at UCLA and law at Harvard. I quickly learned that to deeply understand what makes contemporary societies tick, at both the macro and micro levels, we need to peel back the layers from their surface, peering into the often complex and dynamic influences. In other words, it requires a high level of critical curiosity.

Once pulled back, these layers reveal a myriad of experiences. They do share one thing in common: unearthed stories. Stories about the people, places, ideas, traditions that comprise them.

Curiosity led me to crave these new stories, deep-seated in the world around us. This also led to a career focusing on technologies that amplified stories online.

Beneath the Brushstrokes

Now well into a career in tech, my weekends were spent exploring another passion of mine, street art. Bike rides throughout Downtown LA with my friend and co-founder, Mikey Meshchures led to discovering many new murals in progress by prominent street artists. While the larger-than-life visuals pulled us in, the personal biographies of the artists and their artworks kept our attention.

But that wasn’t enough. We wanted the world to also know these deep stories beneath the brushstrokes of the mesmerizing murals. To ascribe the street art with more meaning and context. To amplify the experiences and memories of many future passersby.

In Visibility

While exploring the physically vast medium of public art, I was also diving deep into the digitally expansive canvas that is augmented reality. My intersecting interests of the physical and digital collided, and in so doing, activated a lightbulb moment: augmented reality (AR) could be a significant future canvas for storytelling. Imagine being able to point your phone at a mural and bring it to life, extending its story while also revealing the origin backstory about the work and the artist. Imagine doing the same with artworks in galleries, the architecture around cities, the prints, and paintings in your home.

But to realize these significant opportunities, we first need to overcome an equally significant obstacle — the friction that technology often presents, specifically app downloads, to experience such content. Enter AR/T HOUSE.

We built AR/T HOUSE to solve a paradox common to many tech sectors, specific to the world of augmented reality: develop a technology that enables people to unlock otherwise invisible layers of stories about the world around them, while remaining invisible itself. Build a technology that removes itself from the experience. Empower people to get lost in the stories, not in the technologies.

AR/T HOUSE was born to empower creatives, brands, and institutions to tell immersive stories underlying their creations, products and places with invisible and intuitive AR technology. Unlock the invisible to give the visible world more meaning, context, and connection.

The Making of AR/T HOUSE

The name of our company has multiple points of significance, including the importance of art in our origin story. Serendipitously, the same year we founded our company, in 2017, researchers published a study about the relatively short viewing time (28.6 seconds) per work of art by the contemporary museum-goer. Why? Because that’s the amount of time it takes to read the label and to take a photo of the art. Ironically, many museum visitors are producing photographic secondary “memories” of their visits without forming primary memories with the art itself.

This specific example underscores a larger phenomenon. While many technologies have at once intentionally connected us like never before, they have also unintentionally disconnected us from deep experiences with the world around us. People are currently craving deeper connections with the people, places, institutions, and brands that they interact with every day. I truly believe that this is an equal and opposite reaction to the alienation and disconnection that’s been building up within themselves and within society.

And therein lies the massive obstacles turned opportunities that companies like AR/T HOUSE are set out to solve. What if technology could reconnect, rather than disconnect us with the world around us? What if it could easily unlock all the invisible stories beneath the surface to give the world around us more meaning, context, connection? What if it could bring life to life?

Let’s take the museum experience study as an example. 28.6 seconds. That’s just an interaction with the camera and the artwork.

Now let’s consider the interaction with an augmented camera that reveals a biographical backstory of the artwork, the artist, and the process of production. An interaction that immerses and encourages viewers to actively lean in rather than passively walk away; even more so than they would without any technology. That becomes a lasting, memorable viewer interaction. Now imagine this applied to all the art, architecture, city blocks, stores, products, landmarks around us. They remain as is, with these digital backstories invisible. At any point, we can unlock them, bringing their stories to life.

Miami AR/T Week

Miami Art Week 2023 was a full circle moment for AR/T HOUSE. Initially inspired to amplify the stories of public art on bike rides throughout the Downtown Los Angeles Arts District, we were given the opportunity to become the AR partner of Miami’s Wynwood Walls, a global center for public art by some of the most prominent muralists in the world.

We kicked off our partnership by augmenting four murals by Shepard Fairey, Buff Monster, Sandra Chevrier, and Millo. Each mural now has multiple digital layers precisely mapped to their respective walls. By simply scanning a QR code placard, visitors can unlock multiple layers per artwork, including motion art that brings the paint to life and timelapses that showcase the mural production process.

Especially significant, the prominent and permanent Shepard Fairey mural at the entrance now amplifies the artist’s homage to Tony Goldman. The late real estate developer and city place-maker founded Goldman Global Properties, which owns and operates Wynwood Walls. His vision to beautify the then tattered area with murals culminated in the Wynwood Arts District and Wynwood Walls as the cultural center.

In Shepard Fairey’s now augmented mural, Goldman’s retro glasses float off the wall and in front of the viewer. Historical footage of Wynwood’s transformation, with Goldman’s voiceover, plays inside the lenses. Our computer vision technology effectively empowers the viewer to see Goldman’s vision, figuratively and literally.

You can experience this AR/T work remotely by scanning the AR code below, then following the prompts to point your viewfinder at the mural photograph.

The Art in Everything

The Shepard Fairey augmented mural is a microcosm of AR/T HOUSE’s work across many industries and activations. The faces depicted in his art are not random or disconnected, but rather intentionally connected to a larger theme about positively impacting the world. It’s a reflection of Tony Goldman’s vision to see the beauty down every sidewalk, on every wall. It’s an amplification of the story within the history of Wynwood, Miami. It’s an indication of the potential for beauty underlying our surroundings.

This is a shared vision we have at AR/T HOUSE. The purpose of our technology is to empower our brand and creative partners, along with their audiences, to give the visible world more context and connection by unlocking digital, otherwise invisible layers of meaning; to see the art in everything.

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Justin Fredericks Bio:

Justin Fredericks is the Co-Founder and CEO of AR/T HOUSE, an industry-leading augmented reality publishing platform that frictionlessly powers branded AR experiences, all without an app. Clients include some of the world’s leading companies, such as Paramount Pictures, Compass Real Estate and WME. Justin combines learnings from 10 years in tech and 7 years in visual marketing to forecast a flourishing future for the AR industry. Also, a nerdy academic, he received a B.A. in Sociology from UCLA and a J.D. from Harvard Law School.

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