{"id":8924,"date":"2015-07-22T08:33:03","date_gmt":"2015-07-22T12:33:03","guid":{"rendered":"https:\/\/artbusinessnews.com\/?p=8924"},"modified":"2015-06-24T14:58:34","modified_gmt":"2015-06-24T18:58:34","slug":"educator-creator","status":"publish","type":"post","link":"https:\/\/artbusinessnews.com\/2015\/07\/educator-creator\/","title":{"rendered":"Educator & Creator"},"content":{"rendered":"

High school art teacher Melanie Blood inspires students, who in turn inspire her own work<\/h3>\n

By Meredith Quinn<\/em><\/p>\n

\"Melanie<\/a>
Melanie Blood and her students hard at work<\/figcaption><\/figure>\n

Art is often one of the first programs on the chopping block for many public school districts. But four-year high school art teacher Melanie Blood reveals that the skills students acquire while talking about their own art and critiquing the work of their peers are among the most helpful and fundamental elements students learn in any classroom.<\/p>\n

While a student at the Massachusetts College of Art and Design (MassArt), Blood found her niche in ceramics and mixed media, incorporating materials that others may view as less than beautiful, such as assorted fibers, pieces of cast-off wood, and broken fences. Though she loved showcasing her work, Blood felt unfulfilled and, on a whim, applied to Tufts University, which offers an intensive social justice and art education graduate program in partnership with the School of The Museum of Fine Arts. After the program opened her eyes to different cultures that she had no exposure to at her all-white high school in a small town, Blood decided to pay it forward and devote her career to art education while continuing her own artistic endeavors.<\/p>\n

As an art educator at Brockton High School, 30 minutes south of Boston, Blood has found that, as much as her students look up to her for inspiration and mentorship, their stories and spirit inspire her art as well.<\/p>\n

\"One<\/a>
One of Melanie Blood’s sculptures<\/figcaption><\/figure>\n

Blood recently talked to Art Business News about the role of art in childhood development, the balance she strikes between personal and professional creativity, and how learning art can turn out to be just as practical as learning math.<\/p>\n

ART BUSINESS NEWS:<\/strong> Tell me a little about your personal art and inspiration.<\/p>\n

MELANIE BLOOD:<\/strong> I started out in college doing primarily ceramics, and, as it developed, I started messing around with firing other materials in a kiln and seeing what would happen. Once I left school, I didn\u2019t have access to kilns, so now I\u2019m doing more unfired clay and working with materials that you wouldn\u2019t necessarily put together.
\nABN:<\/strong> Why did you decide to pursue teaching?<\/p>\n

MB:<\/strong> In high school, I was going through tough times, and I had an art teacher who inspired me and worked with me nonstop. I wanted to be that person for someone else. In college, opportunities came up to [exhibit my art] here and there, and I loved it, and I loved making work, but I felt like something was missing. I felt like it was almost selfish. I don\u2019t mean that artists are selfish. I mean that, for me, it wasn\u2019t fulfilling enough to just put my work out there. I wanted to be able to inspire kids to do the same thing. When I started learning about education\u2014who it targets and who is being repressed and not considered when talking about curriculum, I knew I wanted to teach in a city. I wanted the challenge of working with kids that don\u2019t have everything super easy and that need someone to motivate them.<\/p>\n

ABN:<\/strong> What\u2019s the best thing about being an art teacher?<\/p>\n

MB:<\/strong> Knowing that you\u2019re making a huge difference in kids\u2019 lives. It\u2019s not always easy, but then you realize: Even if it\u2019s one kid who wants to come to school just to do art, that\u2019s the most rewarding thing.<\/p>\n

ABN:<\/strong> Do your students inspire your art?<\/p>\n

\"Melanie-Blood-4\"<\/a>
A piece by one of Melanie Blood’s students.<\/figcaption><\/figure>\n

MB:<\/strong> Yeah, for sure. I feel like I\u2019m a guidance counselor, a teacher, a parent, a friend. I have a lot of different roles, because the kids don\u2019t have a lot of resources. Some of them have strong family bonds, and some are going through the worst things you could possibly think of. You build relationships and work with them one-on-one, and you realize [these things are] coming out in their art. Those relationships I build with them, the struggles that I face in talking to them, the challenges of trying to be that mentor and trying to help them put that into their art is what my work is about now. It has shifted from being about family connections to connections between me and my students and connections that I see between them and in their community. You can have very, very strong kids, but you don\u2019t really understand what\u2019s going on in their lives and see that they\u2019re really these fragile kids that have to maintain this structure but are also on the verge of falling apart. It\u2019s interesting [to see] how resilient they are in trying to overcome different boundaries and hardships.<\/p>\n

So my work has become strong, geometric shapes but also things that are very fragile, showing that dichotomy of strength and weakness and allowing the viewer to make that decision and that connection. My last piece was in the MassArt show, and, on the way home, it completely fell apart. That\u2019s part of the process. It just exists for a little while. Now I have these fragments. How can I put them back together to make the next piece? That\u2019s where I want to go with my work\u2014taking fragments and creating something beautiful with them. I\u2019ve [also] saved some fragments of some kids\u2019 work, and I\u2019ll try to use some of those within my work.<\/p>\n

ABN:<\/strong> What do you say to those people who think that art is not essential in school?<\/p>\n

MB:<\/strong> In this day and age, when people are being taught in a way that teaches to take a test, you [only] need to be able to regurgitate information, whereas in art and in music and especially in visual arts, you\u2019re being critical of other students\u2019 work. You\u2019re talking about your work. You need to defend why you\u2019re making things. My kids ask, \u201cWhy are we in ceramics? Why does this even matter?\u201d I tell them, \u201cWhat do we do every day? We look at things; we solve problems. How is this any different from math?\u201d I give my kids prompts [and ask], \u201cHow are you going to tackle it?\u201d Don\u2019t you have to think about it in a critical and creative way? That\u2019s what I have my kids do. They explain why they are making this [piece], why it is important, what inspired it. They have to look at other kids\u2019 art and say what they think. Art helps kids think. Kids who don\u2019t connect to math and science have art, and that\u2019s what keeps them going. Maybe that inspires them to do better in other classes or come to school in general.<\/p>\n

ABN:<\/strong> Can art change a child\u2019s life?<\/p>\n

MB:<\/strong> We have a lot of kids that would be lost if they didn\u2019t have art in their lives. Kids that are struggling with family issues, are gay or transgender, or are dealing with culture shock are able to express that in their art. It\u2019s so important because, in math or science, you don\u2019t have that outlet. There\u2019s a lot of violence in the city, and if they have something they connect to\u2014whether it\u2019s sports or drama or art\u2014then it actually is saving their lives. Sometimes I feel like they would stay in my room until 7 at night if they could.<\/p>\n

ABN:<\/strong> Tell me more about your students\u2019 involvement in the Attleboro Arts Museum\u2019s High Art show.<\/p>\n

\"Melanie-Blood-1\"
Melanie Blood’s student pose with their “Once Upon a Time” project.<\/figcaption><\/figure>\n

MB:<\/strong> Last year was the first year that we did it, [and] the theme was tape art. The kids had trouble coming up with something in common, and [then] they started talking about the Brockton Fair, which is something important in their city that they all remember. So they did this interactive installation\u2014tickets flowing, popcorn, an elephant trunk, balloons hanging from the ceiling\u2014all out of colored duct tape. They wanted people to have this feeling of childhood. We went into it thinking we\u2019d just do\u00a0it for fun, but we ended up placing third.<\/p>\n

This year\u2019s theme was text as imagery. We were talking about all of these big topics, but they said, “We don’t want to do something that’s so serious. We’re a community and we get along.” They started talking about fairy tales, and how the imagery tells a story on its own. They [created] a dragon crawling up a mountain and made a book out of wood and other papers. They wanted people to look at it and make up their own stories.<\/p>\n

ABN:<\/strong> Is being an art teacher what you thought it would be?<\/p>\n

MB:<\/strong> I can\u2019t think of a better job than being in a school, inspiring kids, making work that is so meaningful to them and powerful in so many ways. I remember being in high school, going through tough times and wanting to do nothing but art all day long. A lot of these kids have so much on their plates, and that\u2019s what they want to do. They want to come in, and they want to make art. We have kids who don\u2019t necessarily do well in other classes and have told me, \u201cIf it weren\u2019t for your class, I wouldn\u2019t come to school.\u201d So, I\u2019m doing the right thing.<\/p>\n

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